1890-1918 Austrian Egon Schiele Gallery Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna. In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students. Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.  Related Paintings of Egon Schiele :. | Seated Male Nude | Double Portratit (mk12) | Naked Self-portrait | Bilnd Mother (mk12) | Self Portrait |
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Frans Post
1612-1680 Dutch Frans Post Gallery was a Dutch painter. He was the first European artist to paint landscapes of the New World. In 1636 he traveled to Dutch Brazil at the invitation of Johan Maurits van Nassau-Siegen, who was governor-general there, at the suggestion of his brother Pieter Post. In 1644, Post returned to Haarlem. Of his Brazilian landscapes, some depict actual locations, while others are probably imaginary. Post's art is usually classified as Baroque.
Caesar van Everdingen
(1616/17, Alkmaar - buried October 13, 1678, Alkmaar), older brother of Allart van Everdingen and Jan van Everdingen, was a Dutch Golden Age portrait painter. Caesar Pietersz van Everdingen also known as Caesar Boetius van Everdingen was educated in Utrecht, where he learned to paint from Jan Gerritsz van Bronckhorst.Caesar became a member of the painter's guild in Alkmaar in 1632. His first known painting dates from 1636. In 1648 he moved to Haarlem, where he joined the Haarlem Guild of St. Luke and the civic guard (or schutterij) there, where he met Jacob van Campen. From 1648 to 1650 He helped him with the decoration of the Oranje Zaal (Orange room) in Huis ten Bosch. In 1658 he moved back to Alkmaar where he started a workshop and took on pupils. Many of his pictures are to be seen in the museums and private houses of the Netherlands. His pupils were Jan Theunisz Blanckerhoff, Adriaen Dekker, Hendrik Graauw, and Thomas Heeremans.Houbraken also lists two other pupils; Adriaen Warmenhuizen, and Laurens Oosthoorn.
ARCIMBOLDO, Giuseppe
Italian Mannerist Painter, ca.1530-1593 Italian painter, draughtsman and tapestry designer, active also in Austria and Bohemia. He came from a distinguished Milanese family that included a number of archbishops of the city; his father was the painter Biagio Arcimboldo. Giuseppe is first documented in 1549, working with his father for Milan Cathedral; he received payments until 1558 for supplying paintings, designs for an altar baldacchino and stained-glass windows for the cathedral: the Story of Lot and the Life of St Catherine in the south transept windows are usually attributed to him. He collaborated with Giuseppe Meda in designing the gonfalone of St Ambrose in Milan, probably sometime soon after 1558. In 1556 he received a commission to paint the south wall and vault of the south transept of Monza Cathedral, also in Lombardy, a work that must have been completed by 1562. Portions of a fresco of the Tree of Jesse on the south wall there can be attributed to him. In 1558 he was paid for designing tapestries for Como Cathedral (in situ). On the basis of stylistic comparison with the windows in Milan and the frescoes in Monza, the design of a tapestry representing St John the Baptist Preaching and Baptizing (Monza, Mus. Duomo) can be attributed to Arcimboldo. The Archbishop of Milan, Carlo Borromeo, probably paid for this tapestry.